2019 | Akuphone | LP / CD

"Incredible.. would love to see them play live“ Gilles Peterson | “Fathoms-deep, gnostic, communal psych and dub-disco-jazz jams“ Boomkat | “An ambient yet curiously spiritual work reminiscent of Miles Davis at his most abstract” Norman Records | "Imagine an exotic island fuzzed with bananas and psychedelic sounds twisted harmonies and an overall feeling of time suspension. Watch out" The Attic Favorites of 2019 | "They developed floating pieces whose common denominator is Dub. Yet not a glimmer of Jamaican sun in it but a lot of darkness and suspense" CzasKultury

“Incredible... would love to see them play live.”

Gilles Peterson, Worldwide FM

The Deep Sleep of Evil Men
2025 | Crash Symbols | Cassette

Transporting Salt
2022 | Besides Records | Double Vinyl Gatefold
2020 | Crash Symbols | Cassette

“Might be the chillest release of the year.. Put a kettle of herbal tea on and crank it up." Tabs Out Podcast | "It’s been a nice one to just let play out while doing things around the house… Really, really strong release.” Free Form Freakout's Favorite Music of 2020 | “It’s meditative stuff, but more introspective than relaxing” Bandcamp Daily | “Psychedelic dub-jazz jams” Burl Veneer | "Really cool stuff" The Avant Ghetto | "As soon as I get into them I find my mind drifting away from the matter in hand and just existing somewhere else." Fragmented Flaneur | "Loose yet grooving freeform psych rock" If You Lose Your Horse with Sam Segal (WFMU) | "Their sound releases a fragrance of flavors and smells that captures the spirit of eastern and African life of rhythms: tribal and intriguing. Get it.“ Domenico Caccamo, London Calling | "Resembling the cosmic music of the 70s like Electric-Miles-Davis, Sun Ra, as well as Gong and other weirdo communities“ TAZ

Arkaoda
2022 | Akuphone | LP/CD

"Certainly Damo Suzuki's most prominent product of this century" Radio Student | "A similarly groundbreaking symbiosis as Can did back then on Tago Mago" Neølyd | "The results of this session are fresh & far out" Shindig | "A session sprawling from lysergic krautrock to spiralling psych funk and supine lounge styles" Boomkat | "They ably channel the sound of Can circa Future Days, locking into extended, fluid grooves" Bandcamp Daily | "Kosmische at its very best" Electronic Sounds | "Albums Of The Week: Another wild freewheeling psychedelic excursion" Tinnitist | "Definitely needs a place in your well-sorted music collection" Progarchives | "Something we here in the radio business call a good jam! Unbelievable" Jeff Conklin, The Trailhead | "Couldn't think of a better collaboration" DotDash Radio, WFMU | "Heavy vibes" Tom Ravenscroft, BBC 6 | “An overwhelming spiral of magnetic, eclectic and hypnotic sounds.. a musical vagabond, a real classic album.. In a few words: Impeccable” Domenico Caccamo, London Calling | “Tapping into the sort of shimmying, trancelike music Can made around Future Days” UNCUT magazine | "Powerful sound flow. Visionary" Audio Review | "Freeform psychedelic jamming - did you expect something different?" Norman Records | "Klang-Voodoo" TAZ | "Some colourful Space-Birds appear at the horizon" Time Machine Productions

Carpet Album
2021 | Kryptox | LP

“Music to shake your chakra to” In My Room | “9/10 Simply not be missed” Future Music Magazine | “Giving mad-jazz labels.. a run for their money” The ArtsDesk | “Full-on exotic futurism” Electronic Sound | “Artists intent on looking to the future” Gigwise | “As if Miles Davis sat down in a time-machine” Neølyd | “Frankly, psychedelic as fuck” BackSeat Mafia | “Sonic alchemy of the highest esoteric order” Gonzo Karaoke | “Really unique .. avantgarde tinged kraut-jazz” Progarchives | “Uncompromising in their quest for the wildest of wig-outs” Ban Ban Ton Ton | “Epic parts that sound almost post-rock in their cinematic breadth” Glitterhouse | “[Their] most intricate musical tapestry yet” Norman Records | “A spirited expression that seems to exalt the musical landscape” Komeda | “With the Sun Ra generator towards Andromeda to then implode again” Schnüss | “I find their music to be ineffable” Fragmented Flaneur

Me & My Students Have Reached Higher Levels
2019 | Akuphone | LP / CD

Who Corrupted Our Wave, Back In 1969?
2018 | Kinship | Cassette

"A post-hippie spaceship to take you wherever the fuck you want" The Attic Favorites of 2018

ABOUT

Spiritczualic Enhancement Center is a serendipitous-jazz-cult achieving states of spectral-jamming.

As the self-appointed con-artists of the “Jazz Circus”, they have gathered outernational troupes of exploratory instrumentalists from all over the Fourth World.

Spiritczualic (hard “tch”) - an esoteric melange of ritualism and spiritism.

Psychedelic-punk eclecticism will be harnessed in 2025 as we adventurously voyage to unknown destinations of auditory hallucination.

Since its formation in an Ottoman dome by the Old City on Christmas 2017, many collaborators have "visited the Center," with origins from Iraq, Iran, Israel, Germany, Russia, USA, Japan, Turkey, Poland, Macedonia, Montenegro, Philippines, Moldova, Romania, Czechia, Denmark and England.

Fusing self-built electronics and digital algorithms with experimental improvisation on vintage and traditional instruments, Spiritczualic Enhancement Center produces site-specific recordings and space-oriented audio-visual installations.